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1 Smith Brothers
"Смит бразерс"Товарный знак пастилок от кашля, выпускаемых фирмой "Американ чикл" [ American Chicle Co.], г. Моррис-Плейнс, шт. Нью-ДжерсиEnglish-Russian dictionary of regional studies > Smith Brothers
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2 the Smith brothers
Общая лексика: братья Смит -
3 the brothers Smith
Общая лексика: братья Смит -
4 brother
noun1) Bruder, dermy/your etc. brothers and sisters — meine/deine usw. Geschwister
2) (fellow member of trade union) Kollege, der* * *1) (the title given to a male child to describe his relationship to the other children of his parents: I have two brothers.) der Bruder2) (a fellow member of any group ( also adjective): brother officers.) der Kollege3) ((plural also brethren ['breƟrən]) a member of a religious group: The brothers of the order prayed together; The brethren met daily.) der Bruder•- academic.ru/9238/brotherhood">brotherhood- brother-in-law* * *broth·er[ˈbrʌðəʳ, AM -ɚ]I. n\brothers and sisters Geschwister pl2. (comrade)▪ \brothers! pl Kameraden!, Brüder!\brothers in arms Waffenbrüder plB\brother Michael Bruder m Michael5.* * *['brʌðə(r)]1) (ALSO ECCL) Bruder mthey are brother and sister — sie sind Geschwister, sie sind Bruder und Schwester
my/his brothers and sisters — meine/seine Geschwister
the Clarke brothers — die Brüder Clarke; (Comm) die Gebrüder Clarke
oh brother! ( esp US inf ) — Junge, Junge! (inf)
2) (in trade unions) Kollege mhis brother officers —
our brothers ( ) — geh, Eccl )
* * *brother [ˈbrʌðə(r)]A s1. Bruder m:brothers and sisters Geschwister;Smith Brothers WIRTSCH Gebrüder Smitha) Nächste(r) mb) Glaubensgenosse m, Mitglied n einer religiösen Gemeinschaftc) KATH (Laien)Bruder m3. Amtsbruder m, Kollege m, Genosse m, Gefährte m, Kamerad m:brother in arms Waffenbruder m, KampfgenosseB adj Bruder…:brother officer Offizierskamerad m;brother scientist wissenschaftlicher Kollege;C int1. umg Freundchen!2. umg Mann!, Mensch!:brother, was I sick! Mann, war mir schlecht!br. abk1. branch2. bronze3. brother4. brown* * *noun1) Bruder, dermy/your etc. brothers and sisters — meine/deine usw. Geschwister
2) (fellow member of trade union) Kollege, der* * *n.Bruder -¨ m. -
5 brother
1. [ʹbrʌðə] n (pl тж. brethren)1. братmy elder [younger] brother - мой старший [младший] брат
the brothers Smith, the Smith brothers - братья Смит
sworn brothers - названые братья, побратимы
2. 1) близкий друг, брат2) друг, приятель, братишка ( в обращении)brother, give me a dime - ≅ приятель, дай пятак
3. 1) (pl brethren) собрат, коллегаbrother of the brush - собрат по кисти, художник
brother of the quill - собрат по перу, писатель
2) земляк4. брат, член религиозного братства; монах2. [ʹbrʌðə] v1) относиться по-братски2) называть братом3) принимать в братство -
6 brother
ˈbrʌðə сущ.
1) брат big, older brother ≈ старший брат blood brother, german brother ≈ кровный, родной брат kid, little, younger brother ≈ младший брат soul brother ≈ брат по духу twin brother ≈ брат-близнец brothers uterine ≈ единоутробные братья half brother ≈ единокровный или единоутробный брат, брат только по одному из родителей sworn brothers ≈ названые братья, побратимы
2) собрат;
коллега brother of the brush ≈ собрат по кисти (художник) brother of the quill ≈ собрат по перу (писатель) brother in arms ≈ собрат по оружию Syn: colleague
3) земляк Syn: compatriot, countryman
4) брат, член религиозного братства;
монах Syn: minister ∙ Brother Jonathan ≈ янки (прозвище американцев) брат - my elder * мой старший брат - the *s Smith, the Smith *s братья Смит - sworn *s названные братья, побратимы близкий друг, брат;
друг, приятель, братишка (в обращении) - *, give me a dime приятель, дай пятак собрат, коллега - * in arms собрат по оружию - * of the brush собрат по кисти, художник - * of the quill собрат по перу, писатель земляк брат, член религиозного братства относиться по-братски называть братом принимать в братство blood ~ побратим blood ~ родной брат brother (pl brothers;
см. тж. brethren) брат;
brother german родной брат;
brothers uterine единоутробные братья;
sworn brothers названые братья, побратимы ~ земляк;
~ Jonathan шутл. янки (прозвище американцев) ~ собрат;
коллега;
brother in arms собрат по оружию;
brother of the brush собрат по кисти (художник) ;
brother of the quill собрат по перу (писатель) brother (pl brothers;
см. тж. brethren) брат;
brother german родной брат;
brothers uterine единоутробные братья;
sworn brothers названые братья, побратимы ~ собрат;
коллега;
brother in arms собрат по оружию;
brother of the brush собрат по кисти (художник) ;
brother of the quill собрат по перу (писатель) ~ земляк;
~ Jonathan шутл. янки (прозвище американцев) ~ собрат;
коллега;
brother in arms собрат по оружию;
brother of the brush собрат по кисти (художник) ;
brother of the quill собрат по перу (писатель) ~ собрат;
коллега;
brother in arms собрат по оружию;
brother of the brush собрат по кисти (художник) ;
brother of the quill собрат по перу (писатель) brother (pl brothers;
см. тж. brethren) брат;
brother german родной брат;
brothers uterine единоутробные братья;
sworn brothers названые братья, побратимы learned ~ ученый коллега brother (pl brothers;
см. тж. brethren) брат;
brother german родной брат;
brothers uterine единоутробные братья;
sworn brothers названые братья, побратимы -
7 brother
{'brʌðə}
1. брат
Smiths Brothers, Smiths Bros търг. братя Смит (фирма)
2. рел. брат, член на религиозно братство/секта (рl и brethren)
3. attr събрат, колега, другар
a BROTHER doctor колега лекар
4. земляк, съотечественик* * *{'br^ъ} n 1. брат; Smiths Brothers, Smiths Bros тьрг. братя* * *брат;* * *1. a brother doctor колега лекар 2. attr събрат, колега, другар 3. smiths brothers, smiths bros търг. братя Смит (фирма) 4. брат 5. земляк, съотечественик 6. рел. брат, член на религиозно братство/секта (pl и brethren)* * *brother[´brʌðə] I. n 1. брат; own, full, ам. whole \brother роден брат; \brother uterine юрид. едноутробен брат, брат по майка; \brothers through father юрид. еднокръвни братя; half \brother природе́н брат, заварен, доведен брат; sworn \brothers побратими, другари, приятели; Smiths Brothers, Smith Bros. търг. братя Смит; 2. рел. брат, член на религиозно братство (pl brothers, brethren[´breðrin]); lay \brothers братя миряни; 3. attr събрат, колега, съученик, ост. съслуживш, другар; \brother officer колега офицер; 4. земляк, съотечественик, сънародник; • B. Jonathan разг. = Uncle Sam Чичо Сам (правителството на САЩ; типичен американец); II. v отнасям се братски, дружески, приятелски към някого. -
8 Bibliography
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The principles of psychology. New York: Appleton-CenturyCrofts.■ Steiner, G. (1975). After Babel: Aspects of language and translation. New York: Oxford University Press.■ Sternberg, R. J. (1977). Intelligence, information processing, and analogical reasoning. Hillsdale, NJ: Lawrence Erlbaum Associates.■ Sternberg, R. J. (1994). Intelligence. In R. J. Sternberg, Thinking and problem solving. San Diego: Academic Press.■ Sternberg, R. J., & J. E. Davidson (1985). Cognitive development in gifted and talented. In F. D. Horowitz & M. O'Brien (Eds.), The gifted and talented (pp. 103-135). Washington, DC: American Psychological Association.■ Storr, A. (1993). The dynamics of creation. New York: Ballantine Books. (Originally published in 1972.)■ Stumpf, S. E. (1994). Philosophy: History and problems (5th ed.). New York: McGraw-Hill.■ Sulloway, F. J. (1996). Born to rebel: Birth order, family dynamics, and creative lives. New York: Random House/Vintage Books.■ Thorndike, E. L. (1906). Principles of teaching. New York: A. G. Seiler.■ Thorndike, E. L. (1970). Animal intelligence: Experimental studies. Darien, CT: Hafner Publishing Co. (Originally published in 1911.)■ Titchener, E. B. (1910). A textbook of psychology. New York: Macmillan.■ Titchener, E. B. (1914). A primer of psychology. New York: Macmillan.■ Toulmin, S. (1957). The philosophy of science. London: Hutchinson.■ Tulving, E. (1972). Episodic and semantic memory. In E. Tulving & W. Donaldson (Eds.), Organisation of memory. London: Academic Press.■ Turing, A. (1946). In B. E. Carpenter & R. W. Doran (Eds.), ACE reports of 1946 and other papers. Cambridge, MA: MIT Press.■ Turkle, S. (1984). Computers and the second self: Computers and the human spirit. New York: Simon & Schuster.■ Tyler, S. A. (1978). The said and the unsaid: Mind, meaning, and culture. New York: Academic Press.■ van Heijenoort (Ed.) (1967). From Frege to Goedel. Cambridge: Harvard University Press.■ Varela, F. J. (1984). The creative circle: Sketches on the natural history of circularity. In P. Watzlawick (Ed.), The invented reality (pp. 309-324). New York: W. W. Norton.■ Voltaire (1961). On the Penseґs of M. Pascal. In Philosophical letters (pp. 119-146). E. Dilworth (Trans.). Indianapolis: Bobbs-Merrill.■ Wagman, M. (1991a). Artificial intelligence and human cognition: A theoretical inter comparison of two realms of intellect. Westport, CT: Praeger.■ Wagman, M. (1991b). Cognitive science and concepts of mind: Toward a general theory of human and artificial intelligence. Westport, CT: Praeger.■ Wagman, M. (1993). Cognitive psychology and artificial intelligence: Theory and re search in cognitive science. Westport, CT: Praeger.■ Wagman, M. (1995). The sciences of cognition: Theory and research in psychology and artificial intelligence. Westport, CT: Praeger.■ Wagman, M. (1996). Human intellect and cognitive science: Toward a general unified theory of intelligence. Westport, CT: Praeger.■ Wagman, M. (1997a). Cognitive science and the symbolic operations of human and artificial intelligence: Theory and research into the intellective processes. Westport, CT: Praeger.■ Wagman, M. (1997b). The general unified theory of intelligence: Central conceptions and specific application to domains of cognitive science. Westport, CT: Praeger.■ Wagman, M. (1998a). Cognitive science and the mind- body problem: From philosophy to psychology to artificial intelligence to imaging of the brain. Westport, CT: Praeger.■ Wagman, M. (1998b). Language and thought in humans and computers: Theory and research in psychology, artificial intelligence, and neural science. Westport, CT: Praeger.■ Wagman, M. (1998c). The ultimate objectives of artificial intelligence: Theoretical and research foundations, philosophical and psychological implications. Westport, CT: Praeger.■ Wagman, M. (1999). The human mind according to artificial intelligence: Theory, re search, and implications. Westport, CT: Praeger.■ Wagman, M. (2000). Scientific discovery processes in humans and computers: Theory and research in psychology and artificial intelligence. Westport, CT: Praeger.■ Wall, R. (1972). Introduction to mathematical linguistics. Englewood Cliffs, NJ: Prentice-Hall.■ Wallas, G. (1926). The Art of Thought. New York: Harcourt, Brace & Co.■ Wason, P. (1977). Self contradictions. In P. Johnson-Laird & P. Wason (Eds.), Thinking: Readings in cognitive science. Cambridge: Cambridge University Press.■ Wason, P. C., & P. N. Johnson-Laird. (1972). Psychology of reasoning: Structure and content. Cambridge, MA: Harvard University Press.■ Watson, J. (1930). Behaviorism. New York: W. W. Norton.■ Watzlawick, P. (1984). Epilogue. In P. Watzlawick (Ed.), The invented reality. New York: W. W. Norton, 1984.■ Weinberg, S. (1977). The first three minutes: A modern view of the origin of the uni verse. New York: Basic Books.■ Weisberg, R. W. (1986). Creativity: Genius and other myths. New York: W. H. Freeman.■ Weizenbaum, J. (1976). Computer power and human reason: From judgment to cal culation. San Francisco: W. H. Freeman.■ Wertheimer, M. (1945). Productive thinking. New York: Harper & Bros.■ Whitehead, A. N. (1925). Science and the modern world. New York: Macmillan.■ Whorf, B. L. (1956). In J. B. Carroll (Ed.), Language, thought and reality: Selected writings of Benjamin Lee Whorf. Cambridge, MA: MIT Press.■ Whyte, L. L. (1962). The unconscious before Freud. New York: Anchor Books.■ Wiener, N. (1954). The human use of human beings. Boston: Houghton Mifflin.■ Wiener, N. (1964). God & Golem, Inc.: A comment on certain points where cybernetics impinges on religion. Cambridge, MA: MIT Press.■ Winograd, T. (1972). Understanding natural language. New York: Academic Press.■ Winston, P. H. (1987). Artificial intelligence: A perspective. In E. L. Grimson & R. S. Patil (Eds.), AI in the 1980s and beyond (pp. 1-12). Cambridge, MA: MIT Press.■ Winston, P. H. (Ed.) (1975). The psychology of computer vision. New York: McGrawHill.■ Wittgenstein, L. (1953). Philosophical investigations. Oxford: Basil Blackwell.■ Wittgenstein, L. (1958). The blue and brown books. New York: Harper Colophon.■ Woods, W. A. (1975). What's in a link: Foundations for semantic networks. In D. G. Bobrow & A. Collins (Eds.), Representations and understanding: Studies in cognitive science (pp. 35-84). New York: Academic Press.■ Woodworth, R. S. (1938). Experimental psychology. New York: Holt; London: Methuen (1939).■ Wundt, W. (1904). Principles of physiological psychology (Vol. 1). E. B. Titchener (Trans.). New York: Macmillan.■ Wundt, W. (1907). Lectures on human and animal psychology. J. E. Creighton & E. B. Titchener (Trans.). New York: Macmillan.■ Young, J. Z. (1978). Programs of the brain. New York: Oxford University Press.■ Ziman, J. (1978). Reliable knowledge: An exploration of the grounds for belief in science. Cambridge: Cambridge University Press.Historical dictionary of quotations in cognitive science > Bibliography
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9 Wright, Wilbur
SUBJECT AREA: Aerospace[br]b. 16 April 1867 Millville, Indiana, USAd. 30 May 1912 Dayton, Ohio, USA[br]American co-inventor, with his brother Orville Wright (b. 19 August 1871 Dayton, Ohio, USA; d. 30 January 1948 Dayton, Ohio, USA), of the first powered aeroplane capable of sustained, controlled flight.[br]Wilbur and Orville designed and built bicycles in Dayton, Ohio. In the 1890s they developed an interest in flying which led them to study the experiments of gliding pioneers such as Otto Lilienthal in Germany, and their fellow American Octave Chanute. The Wrights were very methodical and tackled the many problems stage by stage. First, they developed a method of controlling a glider using movable control surfaces, instead of weight-shifting as used in the early hand-gliders. They built a wind tunnel to test their wing sections and by 1902 they had produced a controllable glider. Next they needed a petrol engine, and when they could not find one to suit their needs they designed and built one themselves.On 17 December 1903 their Flyer was ready and Orville made the first short flight of 12 seconds; Wilbur followed with a 59-second flight covering 853 ft (260 m). An improved design, Flyer II, followed in 1904 and made about eighty flights, including circuits and simple ma-noeuvres. In 1905 Flyer III made several long flights, including one of 38 minutes covering 24½ miles (39 km). Most of the Wrights' flying was carried out in secret to protect their patents, so their achievements received little publicity. For a period of two and a half years they did not fly, but they worked to improve their Flyer and to negotiate terms for the sale of their invention to various governments and commercial syndi-cates.In 1908 the Wright Model A appeared, and when Wilbur demonstrated it in France he astounded the European aviators by making several flights lasting more than one hour and one of 2 hours 20 minutes. Considerable numbers of the Model A were built, but the European designers rapidly caught up and overtook the Wrights. The Wright brothers became involved in several legal battles to protect their patents: one of these, with Glenn Curtiss, went on for many years. Wilbur died of typhoid fever in 1912. Orville sold his interest in the Wright Company in 1915, but retained an interest in aeronautical research and lived on to see an aeroplane fly faster than the speed of sound.[br]Principal Honours and DistinctionsRoyal Aeronautical Society (London) Gold Medal (awarded to both Wilbur and Orville) May 1909. Medals from the Aero Club of America, Congress, Ohio State and the City of Dayton.Bibliography1951, Miracle at Kitty Hawk. The Letters of Wilbur \& Orville Wright, ed. F.C.Kelly, New York.1953, The Papers of Wilbur and Orville Wright, ed. Marvin W.McFarland, 2 vols, New York.Orville Wright, 1953, How We Invented the Aeroplane, ed. F.C.Kelly, New York.Further ReadingA.G.Renstrom, 1968, Wilbur \& Orville Wright. A Bibliography, Washington, DC (with 2,055 entries).C.H.Gibbs-Smith, 1963, The Wright Brothers, London (reprint) (a concise account).J.L.Pritchard, 1953, The Wright Brothers', Journal of the Royal Aeronautical Society (December) (includes much documentary material).F.C.Kelly, 1943, The Wright Brothers, New York (reprint) (authorized by Orville Wright).H.B.Combs with M.Caidin, 1980, Kill Devil Hill, London (contains more technical information).T.D.Crouch, 1989, The Bishop's Boys: A Life of Wilbur \& Orville Wright, New York (perhaps the best of various subsequent biographies).JDS -
10 with
wið1) (in the company of; beside; among; including: I was walking with my father; Do they enjoy playing with each other?; He used to play football with the Arsenal team; Put this book with the others.) med, på2) (by means of; using: Mend it with this glue; Cut it with a knife.) med3) (used in expressing the idea of filling, covering etc: Fill this jug with milk; He was covered with mud.) med, av4) (used in describing conflict: They quarrelled with each other; He fought with my brother.) med5) (used in descriptions of things: a man with a limp; a girl with long hair; a stick with a handle; Treat this book with care.) med6) (as the result of: He is shaking with fear.) av7) (in the care of: Leave your case with the porter.) hos8) (in relation to; in the case of; concerning: Be careful with that!; What's wrong with you?; What shall I do with these books?) med9) (used in expressing a wish: Down with fascism!; Up with Manchester United!) medav--------medprep. \/wɪħ\/, foran ustemt konsonant også: \/wɪθ\/1) (om samhørighet, følge eller retning) med, i selskap med, sammen med, samt, og, til, i• come with us!• John, with his two brothers, arrived laterJohn, samt hans to brødre, kom senere2) (om (karakteristisk) trekk, klesplagg e.l.) med3) ( om middel eller materiale) med, for, av4) (om holdning, behandling eller fremgangsmåte) med, mot, på5) ( om ansvar) til, hos, for• leave it with me!6) ( om nærhet eller forhold) hos, her hos, blant, (i likhet) med, når det gjelder, for• what does she want with me?når det gjelder ham, kan du aldri vite• we must conclude, with her, that the forecast was optimisticvi må, i likhet med henne, konkludere med at prognosen var optimistisk7) ( om samtidighet) med, i takt med, i proporsjon med8) ( om ansettelse eller tjenesteforhold) for, hos• he works with Smith & Co.han arbeider for Smith & Co.• Mr. Smith is no longer with usHr. Smith jobber ikke her lenger9) ( om årsak eller påvirkning) av, med10) (om strid, kontrast eller skille) mot, med11) ( om motsetning) (på) tross (av), med• I like her, with all her faultsbe with someone være enig med noen, støtte noen, holde med noen• are you with me?( hverdagslig) forstå hva noen mener, henge med• are you with me?with it ( hverdagslig) moderne, in våken, kvikk i tillegg, dessutenwith that\/this dermed, med det -
11 Chanute, Octave Alexandre
SUBJECT AREA: Aerospace[br]b. 18 February 1832 Paris, Franced. 24 November 1910 Chicago, USA[br]American engineer, developer of successful hang-gliders in the 1890s and disseminator of aeronautical information.[br]Chanute was born in Paris, but from the age of 6 he lived in the United States, where he became a prominent railway engineer. He developed an interest in aviation relatively late in life, and in fact built his first glider at the age of 64. Before that, he had collected all the information he could find on aviation, especially on the work of Otto Lilienthal in Germany. In 1894 he published an account of these researches in a classic work, Progress in Flying Machines.By 1896 Chanute was ready to carry out practical experiments of his own and designed a series of hang-gliders. He started with a Lilienthal-type monoplane and progressed to his very successful biplane glider. He used a bridge-truss method of cross-bracing to give his wings the required strength, a system used by many of his successors, including the Wright brothers. Chanute's gliders were flown on the shore of Lake Michigan by his two young assistants A.M.Herring and W.Avery. The biplane glider made some seven hundred flights without mishap, covering up to 100 m (110 yds). In 1898 Herring fitted an engine into a modified glider and claimed to have made two short hops.In 1900 the Wright brothers made contact with Chanute and sought his advice, which he readily gave, indeed, he became one of their most trusted advisors. In 1903 Chanute travelled to Paris and gave an illustrated lecture describing his own and the Wrights' gliding successes, generating much interest amongst European aviators.[br]Principal Honours and DistinctionsRoyal Aeronautical Society Gold Medal 1910.Bibliography1894, Progress in Flying Machines, New York (Chanute's classic work).Further ReadingC.H.Gibbs-Smith, 1986, Aviation, London.—1965, The Invention of the Aeroplane 1799–1909, London (both describe Chanute's place in the history of aviation).T.D.Crouch, A Dream of Wings, Americans and the Airplane 1875–1905 (includes several chapters on Chanute and a comprehensive bibliography).Chanute is also mentioned in most of the biographies of the Wright brothers.JDSBiographical history of technology > Chanute, Octave Alexandre
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12 Breguet, Louis
SUBJECT AREA: Aerospace[br]b. 2 January 1880 Paris, Franced. 4 May 1955 Paris, France[br]French aviation pioneer who built a helicopter in 1907 and designed many successful aircraft.[br]The Breguet family had been manufacturing fine clocks since before the French Revolution, but Louis Breguet and his brother Jacques used their mechanical skills to produce a helicopter, or "gyroplane" as they named it. It was a complex machine with four biplane rotors (i.e. thirty-two lifting surfaces). Louis Breguet had carried out many tests to determine the most suitable rotor design. The Breguet brothers were assisted by Professor Charles Richet and the Breguet-Richet No. 1 was tested in September 1907 when it succeeded in lifting itself, and its pilot, to a height of 1.5 metres. Unfortunately, the gyroplane was rather unstable and four helpers had to steady it; consequently, the flight did not qualify as a "free" flight. This was achieved two months later, also in France, by Paul Cornu who made a 20-second free flight.Louis Breguet turned his attention to aeroplane design and produced a tractor biplane when most other biplanes followed the Wright brothers' layout with a forward elevator and pusher propeller. The Breguet I made quite an impression at the 1909 Reims meeting, but the Breguet IV created a world record the following year by carrying six people. During the First World War the Breguet Type 14 bomber was widely used by French and American squadrons. Between the First and Second World Wars a wide variety of designs were produced, including flying boats and another helicopter, the Breguet- Dorand Gyroplane which flew for over one hour in 1936. The Breguet company survived World War II and in the late 1940s developed a successful four-engined airliner/transport, the Deux-Ponts, which had a bulbous double-deck fuselage.Breguet was an innovative designer, although his designs were functional rather than elegant. He was an early advocate of metal construction and developed an oleo- (oil-spring) undercarriage leg.[br]Bibliography1925, Le Vol à voile dynamique des oiseaux. Analyse des effets des pulsations du vent sur la résultante aérodynamique moyenne d'un planeur, Paris.Further ReadingP.Faure, 1938, Louis Breguet, Paris (biography).C.H.Gibbs-Smith, 1965, The Invention of the Aeroplane 1799–1909, London (provides a careful analysis of Breguet's early aircraft).JDS -
13 Langley, Samuel Pierpont
SUBJECT AREA: Aerospace[br]b. 22 August 1834 Roxbury, Massachusetts, USAd. 27 February 1906 Aiken, South Carolina, USA[br]American scientist who built an unsuccessful aeroplane in 1903, just before the success of the Wright brothers.[br]Professor Langley was a distinguished mathematician and astronomer who became Secretary of the Smithsonian Institution (US National Museum) in 1887. He was also interested in aviation and embarked on a programme of experiments with a whirling arm to test wings and with a series of free-flying models. In 1896 one of his steam-powered models made a flight of 4,199 ft (1,280 m): this led to a grant from the Government to subsidize the construction of a manned aeroplane. Langley commissioned Stephen M. Balzer, an automobile engine designer, to build a lightweight aero-engine and appointed his assistant, Charles M.Manly, to oversee the project. After many variations, including rotary and radical designs, two versions of the Balzer-Manly engine were produced, one quarter size and one full size. In August 1903 the small engine powered a model which thus became the first petrol-engined aeroplane to fly. Langley designed his full-size aeroplane (which he called an Aerodrome) with tandem wings and a cruciform tail unit. The Balzer-Manly engine drove two pusher propellers. Manly was to be the pilot as Langley was now almost 70 years old. Most early aviators tested their machines by making tentative hops, but Langley decided to launch his Aerodrome by catapult from the roof of a houseboat on the Potomac river. Two attempts were made and on both occasions the Aerodrome crashed into the river: catapult problems and perhaps a structural weakness were to blame. The second crash occurred on 8 December 1903 and it is ironic that the Wright brothers, with limited funds and no Government support, successfully achieved a manned flight just nine days later. Langley was heartbroken. After his death there followed a strange affair in 1914 when Glenn Curtiss took Langley's Aerodrome, modified it, and tried to prove that but for the faulty catapult it would have flown before the Wrights' Flyer. A brief flight was made with floats instead of the catapult, and it flew rather better after more extensive modifications and a new engine.[br]Bibliography1897, Langley Memoir on Mechanical Flight, Part 1, Washington, DC: Smithsonian Institution; 1911, Part 2.Further ReadingJ.Gordon Vaeth, 1966, Langley: Man of Science and Flight, New York (biography).Charles H. Gibbs-Smith, 1985, Aviation, London (includes an analysis of Langley's work).Tom D.Crouch, 1981, A Dream of Wings, New York.Robert B.Meyer Jr (ed.), 1971, Langley's Aero Engine of 1903, Washington, DC: Smithsonian Annals of Flight, No. 6 (provides details about the engine).JDSBiographical history of technology > Langley, Samuel Pierpont
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14 Bros.
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15 Enright, Ray
1896-1965Nacido en Anderson, Indiana, a los cinco anos se traslada a Los Angeles con su familia. Aunque em pieza en los Estudios Keystone de Mack Sennett co mo montador y, despues, creador de gags, Ray En right es un hombre del sonoro. Director en 1927 a sueldo de Warner hasta 1941, desarrolla una carrera como realizador que no es excesivamente distinguida, aunque tiene alguna interesante pelicula y, en particular, algun interesante western como Coroner Creek o Montana. En los anos 40 pasa a trabajar pa ra otras productoras pero vuelve en los 50 a Warner Brothers, donde trabaja con presupuestos me dios, ni demasiado limitados ni demasiado generosos.Song of the West (La cancion del Oeste). 1930. 80 minutos. Blanco y Negro. WB. John Boles, Vivienne Segal.River’s End. 1940. 69 minutos. Blanco y Negro. WB. Dennis Morgan, Elizabeth Earl, Victor Jory.Bad Men of Missouri. 1941. 74 minutos. Blanco y Negro. WB. Dennis Morgan, Jane Wyman, Wayne Morris, Arthur Kennedy.Wild Bill Hickok Rides. 1942. 82 minutos. Blanco y Negro. WB. Bruce Cabot, Constante Bennett, Ward Bond.The Spoilers (Los usurpadores). 1942. 87 minutos. Blanco y Negro. Universal. Marlene Dietrich, Randolph Scott, John Wayne.Men Of Texas. 1942. 87 minutos. Blanco y Negro. Universal. Robert Stack, Broderick Crawford, Anne Gwynne.Sin Town (Los malhechores de Carsin). 1942. 75 minutos. Blanco y Negro. Universal. Constance Bennett, Broderick Crawford.Trail Street. 1947. 84 minutos. Blanco y Negro. RKO. Randolph Scott, Robert Ryan, Anne Jeffreys.Albuquerque. 1948. 90 minutos. Cinecolor. Paramount. Randolph Scott, Barbara Britton, George Hayes, Russell Hayden.Coroner Creek. 1948. 90 minutos. Cinecolor. Producers-Actors Corpo ra tion. Randolph Scott, Marguerite Chapman.Return of the Bad Men. 1948. 90 minutos. Blanco y Negro. RKO. Randolph Scott, Robert Ryan, Anne Jeffreys.South of St. Louis (Al sur de San Luis). 1949. 88 minutos. Blanco y Negro. WB. Joel McCrea, Alexis Smith, Zachary Scott, Dorothy Malone.Montana (Montana). 1950. 76 minutos. Technicolor. WB. Errol Flynn, Alexis Smith.Kansas Raiders. 1950. 80 minutos. Technicolor. Universal. Audie Murphy, Brian Donlevy, Marguerite Chapman.Flaming Feather. 1952. 78 minutos. Technicolor. Paramount. Sterling Hayden, Forrest Tucker, Barbara Rush, Arleen Whelan. -
16 Ader, Clément
SUBJECT AREA: Aerospace[br]b. 2 April 1841 Muret, Franced. 3 May 1925 Toulouse, France[br]French engineer who made a short "hop" in a powered aeroplane in 1890.[br]Ader was a distinguished engineer and versatile inventor who was involved with electrical developments, including the telephone and air-cushion vehicles. In the field of aeronautics he became the centre of a long-lasting controversy: did he, or did he not, fly before the Wright brothers' flight of 1903? In 1882 Ader started work on his first aeroplane, the Eole (god of the winds), which was bat-like in appearance and powered by a very well-designed lightweight steam engine developing about 15 kW (20 hp). On 9 October 1890 the Eole was ready, and with Ader as pilot it increased speed over a level surface and lifted off the ground. It was airborne for about 5 seconds and covered some 50 m (164 ft), reaching a height of 20 cm (8 in.). Whether such a short hop constituted a flight has caused much discussion and argument over the years. An even greater controversy followed Ader's claim in 1906 that his third aeroplane (Avion III) had made a flight of 300 m (328 yd) in 1897. He repeated this claim in his book written in 1907, and many historians accepted his account of the "flight". C.H.Gibbs-Smith, an eminent aviation historian, investigated the Ader controversy and in his book published in 1966 came to the conclusion that the Avion III did not fly at all. Avion III was donated to the Museum of the Conservatoire des Arts et Métiers in Paris, and still survives. From 1906 onwards Ader concentrated his inventive efforts elsewhere, but he did mount a successful campaign to persuade the French War Ministry to create an air force.[br]Principal Honours and DistinctionsIn 1990 the French Government accepted him as the "Father of Aviation who gave wings to the world".Bibliography1890, patent no. 205, 155 (included a description of the Eole).1907, La Première étape de l'aviation militaire en France, Paris (the most significant of his published books and articles).Further ReadingC.H.Gibbs-Smith, 1968, Clément Ader: His Flight Claims and His Place in History, London.The centenary of Ader's 1890 flight resulted in several French publications, including: C.Carlier, 1990, L'Affaire Clément Ader: la vérité rétablie, Paris; Pierre Lissarrague, 1990, Clément Ader: inventeur d'avions, Toulouse.JDS -
17 Levers (Leavers), John
SUBJECT AREA: Textiles[br]fl. 1812–21 Englandd. after 1821 Rouen, France[br]English improver of lace-making machines that formed the basis for many later developments.[br]John Heathcote had shown that it was possible to make lace by machine with his patents of 1808 and 1809. His machines were developed and improved by John Levers. Levers was originally a hosiery frame-smith and setter-up at Sutton-in-Ashfield but moved to Nottingham, where he extended his operations to the construction of point-net and warp-lace machinery. In the years 1812 and 1813 he more or less isolated himself in the garret of a house in Derby Road, where he assembled his lacemaking machine by himself. He was helped by two brothers and a nephew who made parts, but they saw it only when it was completed. Financial help for making production machines came from the firm of John Stevenson \& Skipwith, lace manufacturers in Nottingham. Levers never sought a patent, as he was under the mistaken impression that additions or improvements to an existing patented machine could not be protected. An early example of the machine survives at the Castle Museum in Nottingham. Although his prospects must have seemed good, for some reason Levers dissolved his partnership with Stevenson \& Co. and continued to work on improving his machine. In 1817 he altered it from the horizontal to the upright position, building many of the machines each year. He was a friendly, kind-hearted man, but he seems to have been unable to apply himself to his business, preferring the company of musicians—he was a bandmaster of the local militia—and was soon frequently without money, even to buy food for his family. He emigrated in 1821 to Rouen, France, where he set up his lace machines and where he subsequently died; when or in what circumstances is unknown. His machine continued to be improved and was adapted to work with the Jacquard mechanism to select the pattern.[br]Further ReadingW.Felkin, 1967, History of the Machine-wrought Hosiery and Lace Manufactures, reprint, Newton Abbot (orig. pub. 1867) (the main account of the Levers machine).W.English, 1969, The Textile Industry, London (a brief account of the Levers lace machine).D.M.Smith, 1965, Industrial Archaeology of the East Midlands, Dawlish (includes an illustration of Levers's machine).RLH -
18 other
1. [ʹʌðə] a1. ещё (один), дополнительный, другойhow many other brothers have you? - сколько у вас ещё братьев?
there are some other people waiting to see you - вас ещё ждут другие, вас ждёт ещё несколько человек
a few other examples would be useful - неплохо было бы привести ещё несколько примеров
(any) other business - текущие дела, разное ( в повестке дня)
2. 1) другой, иной, не тотhe is busy now, ask him about it some other time - он сейчас занят, спроси его об этом как-нибудь в другой раз
it must be decided by quite other considerations - при решении этого вопроса нужно руководствоваться совершенно иными соображениями
change into other clothes - наденьте что-нибудь другое; переоденьтесь
it was none other than the general - это был не кто иной, как сам генерал
2) былой, прошлый3. второй, другой ( из двух или трёх)4. обыкн. в сочетании с сущ. во мн. ч. остальныеthe other tourists remained in the camp - остальные туристы остались в лагере
Smith was saved but every other man in the ship was drowned - Смита спасли, но все остальные, кто был на корабле, утонули
5. в грам. знач. сущ.... and others ( при перечислении) -... и другие;... и др.,... и пр.
the six others started at dawn - остальные шестеро отправились в путь на рассвете
2) другие, иные, не те (предметы, люди и т. п.)if these books are no use, can you send me some others? - если эти книги не подойдут, не сможете ли вы прислать мне другие?
I don't like this lamp, have you any others? - эта лампа мне не нравится, а других у вас нет?
let others talk, we must act - пусть другие занимаются разговорами, мы должны действовать
some people will like it, others won't - одним это нравится, другим - нет
3) филос. противоположное, обратное6. в сочетаниях:every other week [month] - раз в две недели [в два месяца]
other than - книжн. иной, другой
gifts other than flowers - любые подарки, кроме цветов
I do not wish him any /I would not have him/ other than he is - я хочу, чтобы он именно таким и оставался
♢
the other day [night] - а) на днях, недавно; б) уст. завтра; в) уст. вчераof all others - именно (этот, тот)
other days /ways или times/ other manners - иные времена - иные нравы
other ranks - воен. унтер-офицерский и рядовой состав
other services - воен. небоевые войска
some... or other см. some I ♢
he must have eaten something or other which upset him - он, наверное, съел что-нибудь, от чего ему стало нехорошо
surely some friend or other will help me - наверняка найдётся кто-нибудь, кто мне поможет
other things being equal - при прочих равных условиях /обстоятельствах/
if he doesn't like it, he can /must/ do the other thing - ≅ если ему это не нравится, тем хуже для него
this, that, and the other - разг. всевозможный, разнообразный; ≅ и то и сё; и пятое и десятое
2. [ʹʌðə] adv (обыкн. в сочетании с than)the other side - мир иной, загробная жизнь
иначе, по-другомуhe thought he could not do other than leave the town - он считал, что не может поступить иначе, чем уехать из этого города
I could not do other than I did - я не мог сделать ничего другого; я не мог поступить иначе
you can't get there other than by swimming - туда иначе как вплавь не добраться
-
19 might
I II nounwith all one's might — mit aller Kraft
2) (power) Macht, die* * *I(-)1) (past tense of may: I thought I might find you here; He might come if you offered him a meal.) pt. of may:können2) (used instead of `may', eg to make a possibility seem less likely, or a request for permission more polite: He might win if he tries hard; Might I speak to you for a few minutes, please?) können3) (used in suggesting that a person is not doing what he should: You might help me clean the car!) können•- might as well- might have
- I might have known II(power or strength: The might of the opposing army was too great for us.) die Macht- mighty- mightily
- mightiness* * *might1[maɪt]II. aux vbthat old bridge \might be dangerous die alte Brücke könnte gefährlich seinsomeone phoned at six, it \might have been him um sechs rief jemand an, das könnte er gewesen sein; (will be able to)he is closing his door so that he \might have a little peace and quiet er schließt seine Tür, damit er etwas Ruhe hatlet's not answer the phone so that we \might talk undisturbed lass uns nicht ans Telefon gehen, damit wir ungestört reden können; (expressing probability)if he keeps studying so hard he \might even get a first in his final exams wenn er weiterhin so eifrig lernt, könnte er sogar der Beste bei den Abschlussprüfungen werden2. (conceding a fact)the village \might be in the middle of nowhere but I like such places das Dorf kann ruhig mitten im Nirgendwo sein, ich mag solche OrteLeeds \might be an excellent team, but... Leeds mag eine hervorragende Mannschaft sein, aber...\might I...? dürfte ich [vielleicht]...?\might I ask a question? dürfte ich eine Frage stellen?how \might I help you? wie kann ich Ihnen behilflich sein?; (when offended)\might I ask what you think you're doing in my seat? könnten Sie mir vielleicht sagen, was sie auf meinem Sitz zu suchen haben?and who \might you be? und was glaubst du wohl, wer du bist?I thought you \might like to join me for dinner ich dachte, du hättest vielleicht Lust, mit mir zu Abend zu essen; (unenthusiastically)she \might as well tell the truth — they'll find it out anyway sie könnte ebenso gut die Wahrheit sagen — sie werden es ohnehin herausfinden5. (in reproach)you \might have at least made an effort du hättest zumindest einen Versuch machen könnenI \might have known that you'd lie to me ich hätte es eigentlich wissen müssen, dass du mich anlügen würdestmight2[maɪt]n no plwith \might and main aus Leibeskräftenwith all one's \might mit aller Kraft3.* * *I [maɪt] pretthey might be brothers, they look so alike — sie könnten Brüder sein, sie sehen sich so ähnlich
as you might expect — wie zu erwarten war
... I might add —... möchte ich hinzufügen
how old might he be? — wie alt er wohl ist?
might I smoke? — dürfte ich wohl rauchen?
you might try Smith's — Sie könnten es ja mal bei Smiths versuchen
he might at least have apologized — er hätte sich wenigstens entschuldigen können
I might have known — das hätte ich mir denken können
she was thinking of what might have been — sie dachte an das, was hätte sein können
IInMacht fsuperior might — Übermacht f, Überlegenheit f
might is right (Prov) — Macht geht vor Recht (Prov)
* * *might1 [maıt] s1. Macht f, Gewalt f2. Stärke f, Kraft f:might2 [maıt] prät von may1may [meı], obs 2. sg präs mayst [meıst], 3. sg präs may, prät und optativ might [maıt] v irr (defektiv, meist Hilfsverb)1. (Möglichkeit, Gelegenheit) können, mögen:it may happen any time es kann jederzeit geschehen;it might happen es könnte geschehen;you may be right du magst recht haben, vielleicht hast du recht;he may not come vielleicht kommt er nicht; es ist möglich, dass er nicht kommt;come what may komme, was da wolle;he might lose his way er könnte sich verirren2. (Erlaubnis) dürfen, können:may I ask? darf ich fragen?;I wish I might tell you ich wollte, ich dürfte es dir sagen; selten neg:he may not do it er darf es nicht tun3. mit (as) well, just as well:you may well say so du hast gut reden;we might as well go da können wir (auch) ebenso gut gehen, gehen wir schon;he may as well dazu hat er auch allen Grund4. ungewisse Frage:how old may she be? wie alt mag sie wohl sein?;I wondered what he might be doing ich fragte mich, was er wohl tue5. (Wunschgedanke, Segenswunsch) mögen:may God bless you!;may it please your Grace Euer Gnaden mögen geruhen6. als Aufforderung:you may post this letter for me du kannst diesen Brief für mich einstecken;you might help me du könntest mir (eigentlich) helfen;you might at least offer to help du könntest wenigstens deine Hilfe anbieten7. may oder might als Konjunktionsumschreibung: I shall write to him so that he may know our plans damit er unsere Pläne erfährt;though it may cost a good deal obwohl es eine Menge kosten kann;difficult as it may be so schwierig es auch sein mag;we feared they might attack wir fürchteten, sie würden angreifen* * *I II noun2) (power) Macht, die* * *aux.kann aux.könnte aux.mag aux. n.Macht ¨-e f. -
20 Selander, Lesley
1900-1979Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard MartinSaddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana LorysFort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.English-Spanish dictionary of western films > Selander, Lesley
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